Submissions Are Closed 😢
We are a magazine focused on personal health experiences, including (but not limited to) physical health, doctor visits, mental health, chronic illness, and more.
We accept submissions from anyone identifying as part of the FLINTA* community worldwide. You can learn more about our process at Six Questions For and check out some of our published work here.
Submissions are accepted on a trimesterly basis in December, April, and August, with a free period the first week of open submissions. Editorial services are available for an additional fee. We only accept work in English at this time.
Please subscribe to our newsletter below to receive an invitation when submissions are open.
Submission Guidelines
We publish work by FLINTA* people on the topic of our health in the following mediums…
Music
Songs and sounds representing FLINTA* health.
Short Story
Fictional journies dealing with FLINTA* health.
Essays
Real lived experience and commentary on health equity.
Poetry
Emotion put to the page to describe health experiences.
Photography
Single shots or a series representing FLINTA* health.
Video
Your visual representation of health.
Artwork
Painting, digital art, drawing, and more about health.
Flash Fiction
Take us into your (un)wellness world for just a moment.
NOTE: Free submissions are available the first week of each submission period. They are for those creators for whom a submission fee would be a barrier to publishing. As such, we only accept ONE free submission per contributor. Any additional free submissions will result in the rejection of all submissions in the reading period.
Please follow the below submission requirements. If you are a first-time contributor, you can find excellent formatting instructions and examples on the Shunn website. We publish in digital, print, and audiobook formats for the widest distribution and inclusivity. Please submit only one genre per reading period. If selected, contributors are also invited to submit a recorded reading of their work for the audiobook.
- Label your submission “Name-Genre-Submission”
- Please include a short bio
- Please include an artist statement with visual/audio submissions
- We are strong believers in the Oxford comma.
- Simultaneous submissions are accepted, but please email us to remove your submission ASAP if your work is accepted elsewhere (we’ll respond with a virtual high-five)
- We prefer no reprints, however will make exceptions if it’s a perfect fit + very high-quality writing (note that publishing on social media or a blog disqualifies a piece)
- All rights revert to authors and artists upon publication. We do request first publication acknowledgment if works are published elsewhere in the future. We also ask permission to post brief excerpts to social media for promotion. Anodyne Magazine requests sole and exclusive ownership over the content for the entire time of drafting, editing, and illustrating the issue until publication.
- Poetry: submit up to three (3) poems in a single .docx document
- Flash fiction: up to 1,000 words accepted + three (3) pieces in .docx format
- Longform fiction and nonfiction: submit up to 5,000 words in .docx format
- Artwork: submit up to three (3) pieces in ONE document (we’ll request high resolution files if accepted)
- Photography: up to three (3) photos in ONE document (we’ll request high resolution files if accepted)
- Video: please submit a single (1) video per open period — send an unlisted YouTube or Vimeo link (physical copies of the magazine will feature a QR code to your beautiful video)
- Music/audio: submit one (1) song per open period via link to the audio file on SoundCloud or Spotify
We pay our contributors! Each contributor will receive a dividend of sales from the issue in which they are published for as long as sales come in. Payouts occur quarterly via Wise or IBAN transfer.
Contributors will also be invited to a pre-launch Zoom session with the editors to network and strategize the promotion of their work for greater visibility. We believe every creator should receive the greatest support for their work, and that FLINTA* health experiences must be read about. We look forward to working with you!
Our Guest Editors

Finnian Burnett
Finnian Burnett’s is a recipient of the Canada Council for the Arts grant, a finalist in the 2023 CBC nonfiction prize, and a 2024 Pushcart nominee.
Their work appears in Blank Spaces Magazine, Reflex Press, The Daily Sci-Fi, CBC, and more. Their two novellas-in-flash, The Clothes Make the Man and The Price of Cookies, are available through Ad Hoc Fiction and Off Topic Publishing respectively.
When not writing or teaching, Finnian enjoys walking, Star Trek, and cat memes. Finn can be found at www.finnburnett.com

Dylan McNulty-Holmes
Dylan McNulty-Holmes (he/they) is the author of Survivalism for Hedonists (Querencia Press, 2023) and the longform digital poetry project Half a Million Mothers (shortlisted for the 2022 New Media Writing Prize). His writing has also been illustrated and turned into a T-shirt, live-soundtracked by a disco band, and published in places such as Redivider, ANMLY, Pilot Press, and The Welsh Review. He has been nominated for a Pushcart Prize and Best of the Net. More of his work can be found at dylanmcnultyholmes.com.

Marion Lougheed
Marion Lougheed grew up in Canada, Benin, Belgium and Germany. She is an editor, writer and anthropologist who runs Off Topic Publishing and ML Edits. Her writing has appeared in This Will Only Take a Minute (Guernica Editions), Reflex Press, and Prime Number Magazine (Press 53), among others. Find her at marionlougheed.com

Charlotte Woolf
Charlotte Woolf (she/they) is a queer artist and educator with a background in photography and gender studies. Woolf’s practice is about the implications of infrastructure on our society, including buildings, bodies, labor, and food. Woolf received their MFA at Purchase College, School of Art + Design, and BA from Kenyon College. Woolf exhibited at AIR Gallery, The Gund Annex, Paradice Palase at Future Fair, and the International Center of Photography; attended ACRE (IL/WI), SOMA (CDMX), Wassaic Project (NY), and ChaShaMa (NY) residencies; and received a Lenscratch Student Prize Honorable Mention. Woolf is currently a Visiting Assistant Professor of Studio Art at Kenyon College. Find their work at www.charlottewoolf.com.

Courtney Bates-Hardy
Courtney Bates-Hardy is the author of Anatomical Venus (Radiant Press, 2024), House of Mystery (ChiZine Publications, 2016), and a chapbook, Sea Foam (JackPine Press, 2013). Her poems have appeared in Event, Vallum, Room, PRISM, and the Canadian Medical Association Journal, among others. She has been included in The Best Canadian Poetry 2021 and nominated for the Pushcart Prize. She is queer and disabled, and one third of a writing group called The Pain Poets. You can find more about her work at www.courtneybateshardy.com

Sarah Butler
Sarah graduated from Cornish College of the Arts in Seattle, WA with a BFA in Dance. She was a founding member of Ate9 Dance Company from 2012 - 2020. Since 2021 Sarah has worked closely with Tom Weinberger, assisting on the creation of dance-theatre works in and around Europe. She has guest taught, staged work, or assisted on creations with GöteborgsOperans DansKompani, Iceland Dance Company, Tanzfabrik Berlin, Dock11, Nagelhus Schia Productions, Cornish College of the Arts, CalArts, John Hopkins University, and Ryan Heffington’s The Sweat Spot.

Maria McLeod
Maria McLeod is the author of “Skin. Hair. Bones.,” Finishing Line Press 2022, and “Mother Want,” winner of the WaterSedge Poetry Chapbook Contest 2021. She has won the Quarter After Eight Robert J. DeMott Short Prose Prize, the Indiana Review Poetry Prize, and has been nominated for four Pushcart Prizes. McLeod’s focus on gender equity and medical treatment has taken the form of fiction, poetry, plays, and scholarly research. Originally from Michigan, she works as a professor of journalism for Western Washington University in Bellingham, Washington. She received her MFA in poetry from the University of Pittsburgh. Find her on Instagram @mariapoempics.