She wanted to die of cancer. She’d stopped living years ago. Death was only a formality, something to stop the tedium. She was about to get her wish. Her boyfriend acted like he wanted to die of cirrhosis of the liver the way he drank. No one said anything about that, but cancer? All her friends recommended cancer treatments, and this annoyed her. They told her to get the chemo. She didn’t want to stop the cancer her bone marrow had started to reproduce.

She wasn’t a girl anymore, just old. No one called her anything, thought of her as anything, just assumed she wanted to live to 105. And then one day, she became a woman. By then, she was in her sixties. It would have been sooner, but she had had a fucked up childhood. Growing up, her mother was a daisy and her sister a rose. That left her the thorns, stems and leaves to form herself separate, distinct.

One night, after talking with her boyfriend, she imagined herself in the doctor’s office, standing up and announcing she would not do chemo, have her blood cells reengineered or partake of any other attempt to save what was a life better left behind. She realized that she was a woman, not because of all the usual reasons, but because she imagined, after her tirade, her boyfriend’s response, her boyfriend’s mouth agape before the screaming started. “No, you can’t give up. It’s not fair. And what are you going to do? Die on me? What the fuck is wrong with you? You are not even going to try?”

She imagined herself there in the doctor’s office, the doctor, small, with short, black hair, watching the fiasco that was only scheduled for 20 minutes.

She was a woman because she could be silenced before the screaming even started, and that made her mad. She had become someone who said yes if only there would be no yelling, yes if only she wasn’t called a bull dyke for being strong. As long as she wasn’t hated like Hillary Clinton or Gloria Steinem. She was tired, couldn’t fight anymore, have a strong will anymore. No one told her it got harder with age to be a tough cookie. It seemed that her priorities had changed and now she wanted peace, plain and simple. She would do the chemo. She would learn how to live when the game had changed. And she started with wanting silence. It was all she wanted, like the last piece of pie, the stray leaf in February clinging, clinging, letting go.

CARROLL ANN SUSCO has a chapbook, Bean Spiller, on Variant Literature Press. She also has an MFA from the University of Pittsburgh and 40 publications, including Anodyne and The Sun Magazine. See her LinkedIn page for a list and links. These flash are both fiction and nonfiction, maybe more non than fiction.

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Carroll is our featured writer in Vol.4. Consider subscribing to support Anodyne Magazine and its contributors. We pay our contributors dividends for each purchase! Plus, this is the only place you’ll find an ebook + print subscription combo.

I’ve returned to the university hospital
an ellipsis long used to periods as
a doctor has finally listened to me,
has acknowledged that
this kernel inside rubbed-raw flesh,
smooth as a tapioca pearl
when quiet
but the reason I can no longer ride
a bike, this glitch of being sentimentally
active, which became infected, then refused to heal,
this underground node,
a frozen bulb never to flower,
has become a companion to my every move.

My doctorate is only real
because my doctor is also a young woman,
our appointment a mirror
to gaze upon ourselves,
to drink in deeply
the birth control pills she takes back-to-back
to refuse periods because
she’s not courting pregnancy.
And while my flow is already a capillary-thin whisper
of its former self, benumbed by the pill,
her words bloom smiles in my cells
at the promise of one month lapping into the next.
When I open my legs
to the stirrups, it takes her all of two seconds to say,
Yeah, we gotta take care of that.

I am ready for the surgery that
three other doctors refused to approve.
The anesthesia is running
smooth as a bath.
My doctor asks me to count back from 10,
her fingers stroking the top of my right hand, 9,
like the delphiniums I saw for the first time, 8,
having missed the peonies, 7,
like the bride and her bridesmaids floating
through the arboretum . . .

DANA MURPHY lives in California. Her writing has appeared or is forthcoming in carte blanche magazine, The 2River View, Up the Staircase Quarterly, Lily Poetry Review, and Obsidian: Literature & Arts in the African Diaspora. In 2024–25, she is a Fellow at the Stanford Humanities Center.

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Dana is our featured poet in Vol.4. Consider subscribing to support Anodyne Magazine and its contributors. We pay our contributors dividends for each purchase! Plus, this is the only place you’ll find an ebook + print subscription combo.